Ticket #3746: untitled-part.html

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3        <title>Newsletter</title>
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5<body><a href="http://marketho.us/LmT6Bqb_Ps7gPhyeYKs8dXchv2OCWYZR_P35tGK2srZKm0KyFw"><img src="http://marketho.us/dccf92904b0858ba3c.jpg" /><img height="1" src="http://www.marketho.us/e50aKR5mSfdOiNuNtghPrKQkhuEdrupsJQMXFMvyEg5MKN6HZg" width="1" /></a>
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17<b>Hudson</b></div>
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33<span style="color:#FFFFFF; font-size:3px;">refly Creative Studio of Hyderabad worked primarily on the avalanche and the war sequences, which account for nearly 25 minutes of the film. Firefly Creative was also involved in creating underwater VFX shots and in establishing backstories for Kalakeya characters. Tau Films was responsible for creating the CGI bison, while Prasad EFX from Hyderabad was responsible for some shots in pre and post battle episodes involving digital multiplication. Prasad also created a 3D image of Kattappa and mapped his head onto a duplicate actor in one of the scenes. Srushti VFX from Hyderabad was involved in digitally creating some of the shots in the war sequence along with Firefly Studios. Annapurna Studios from Hyderabad was chosen as digital intermediate partner for the film which is responsible for generating the digital feed with the best colour and audio for editing. For the first time in Indian movies, Academy Color Encoding System workflows were i
34 mplemented along with Infinitely Scalable Information Storage keeping in mind the scale of digitally enhanced shots in the film. Arka Media Works, production company of Baahubali, teamed up with AMD to use the state of the art FirePro GPUs W9100 and W8100 during post production. In an interview with Quartz, the co-founder of Makuta VFX stated, &quot;Most of Baahubali was developed in Hyderabad, home to Tollywood, and used local talent. It was principally a homegrown feature produced by homegrown talent.&quot; Kiliki language Main article: Kiliki language The fictional language Kiliki (also referred to as Kilikili) spoken by the Kalakeyas, a ferocious warrior tribe, was created by Madhan Karky for the film. It is said to be the first fictional language to be created for Indian film. While Karky was pursuing a PhD in Australia, he took up a part-time job of teaching and baby-sitting children. During one such interaction, he thought it would be fun to create a new language that could b
35 e easily grasped. Basic words were first made up and opposites were represented by word reversals &ndash; me was min and you was nim. The langua</span><br />
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