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22 | <div style="color:#FFFFFF;font-size:3px;">blished in 1998, the final critical edition of his career covered Cicero's philosophical text De finibus bonorum et malorum. This work had been edited competently by the Danish classical scholar Johan Nicolai Madvig in 1839 but technological and methodological advances had necessitated a new rendition of the text. Reynolds remodelled the stemma by defining two principal transmission groups (α and φ) to which all available manuscripts belong. In addition to a concise critical apparatus, he fitted the text with a secondary apparatus providing background information on the philosophical concepts discussed. Scribes and Scholars A man with a tonsure haircut in medieval robes sits at a table writing into a book with a quill. Reynolds and Wilson co-authored a book on the medieval transmission of classical texts. This anonymous picture from the 12th-century shows a scribe at his desk and is housed at Trinity College, Cambridge. After pu |
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23 | blishing his work on Seneca's Letters, Reynolds collaborated with Nigel Guy Wilson, a Hellenist and fellow of the neighbouring Lincoln College, to produce a general introduction to the transmission of classical texts. They were tasked with this endeavour after Oxford University Press had been made aware of the need for such a book. Their joint volume was published in 1968 as Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. The book appeared in two further editions (1974 and 1991) and was translated into Italian, French, Greek, Spanish, and Japanese. The book contained chapters on the afterlife of classical texts in antiquity, the Middle Ages, and the Renaissance; the last chapter discussed modern textual criticism. Scribes and Scholars was met with enthusiastic reviews from the scholarly world. The Hellenist Patricia Easterling considered it to have achieved its aim of providing a general introduction with "striking success". She comment |
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24 | ed that the book had "one serious drawback: its scholarship is so good that more advanced students will also want to use it, and for them it will be frustrating to find that there are no footnotes". The philologist Conor Fahy termed it an "excellent short manual" though he criticised the authors' assertion that Greek was the only language spoken in Southern Italy and Sicily during the Middle Ages. For the reviewer Wolfgang Hörmann, the book constituted "a work of art in its own way" (German: in seiner Art ein kleines Kunstwerk). Commenting on the final chapter on modern textual criticism, he praised Reynolds and Wilson for avoiding the common pitfall of forcing the discipline into a rigid methodological syste</div> |
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