Biblical Joint Remedy Leaving Biblical Scholars and Doctors Speechless

More than 2,000 years ago Jesus of Nazareth was born.

Three wise kings came from the east to celebrate the arrival of the awaited Messiah, and they gave him three gifts.

You probably already know this, as every other Christian in the world.

However, what most people don't know is that these three gifts weren't just symbolical...

They had real healing properties.

And they could hold the key to saying goodbye to all types of discomfort or suffering caused by swollen joints and muscles.

Scientists were shocked by this discovery.

Because all the research points at this theory being true.

And they couldn't believe that something they considered "biblical nonsense” is about to start a new era of enlightenment without physical suffering. Like He wanted it to be. Tainted leftist interests already know about this, and they want to make it "disappear".

P.S. The following information is classified, but some left-wing politicians wanted to take this page down as soon as they learned about it.

But nothing indicates that they won’t eventually succeed.

Watch this presentation while you still can.

 






tional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint. Oil paint is usually mixed with linseed oil, artist grade mineral spirits, or other solvents to make the paint thinner, faster or slower-drying. (Because the solvents thin the oil in the paint, they can also be used to clean paint brushes.) A basic rule of oil paint application is 'fat over lean', meaning that each additional layer of paint should contain more oil than the layer below to allow proper drying. If each additional layer contains less oil, the final painting will crack and peel. The consistency on the canvas depend on the layering of the oil paint. This rule does not ensure permanence; it is the quality and type of oil that leads to a strong and stable paint film. There are other media that can be used with the oil, including cold wax, resins, and varnishes. These additional media can aid the painter in adjus ting the translucency of the paint, the sheen of the paint, the density or 'body' of the paint, and the ability of the paint to hold or conceal the brushstroke. These aspects of the paint are closely related to the expressive capacity of oil paint. Traditionally, paint was most often transferred to the painting surface using paintbrushes, but there are other methods, including using palette knives and rags. Palette knives can scrape off any paint from a canvas, it can also be used for application. Oil paint remains wet longer than many other types of artists' materials, enabling the artist to change the color, texture or form of the figure. At times, the painter might even remove an entire layer of paint and begin anew. This can be done with a rag and some turpentine for a time while the paint is wet, but after a while the hardened layer must be scraped off. Oil paint dries by oxidation, not evaporation, and is usually dry to the touch within a span of two weeks (some co lors dry within day