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mbled on stage let him (the director) down; right from an unusually inspired Rampal to his powerful, polar opposite Bajpayee". Nikhat Kazmi of The Times of India rated it 4/5 and said, "The film basically anchors its plot in two classic tales — The Mahabharata and The Godfather — to create an engrossing diatribe on India's political system where democracy may prevail, but not in its purest form." Anupama Chopra of NDTV rated it 3/5 and said "Jha creates a real sense of the machinations and sordid deals that fuel politics but then hobbles it with outlandish twists and some decidedly 'filmy' moments". Rajeev Masand of IBN said, "Devgan's Raajneeti is thrilling and gripping for the most part, even though it does lose steam in its final act. For the superb acting, and for the exciting dramatic highs, it's a film I recommend you do not miss." Raja Sen of Rediff.com gave a 1.5 out o f 5 star rating explaining that "The screenplay is weak, manipulative and every possible kind of lazy, with an omniscient narrator who vanishes after a while, a slew of unbelievably one-note characters, clunky dialogue that often lapses into something from period cinema, and bloody deaths thrown in every few scenes to kickstart the drama in this exhausting 3-hour film." Rachel Saltz of The New York Times said, "The film – full of romance, intrigue and fraternal strife – is too diffuse to score political points. Or to have much impact." Robert Abele of the Los Angeles Times found that while it aimed "for something trenchant about thwarted destiny and ugly ambition in modern Indian democracy", it "mostly winds up with a convoluted and tonally awkward Godfather rehash, with nary a character worth rooting for" and that "Kapoor's performance is stony rather than calculating...." Frank Lovece of Film Journal International s aid, "More pulpy than political, this Godfather-ripoff Hindi electoral drama is a candidate for oblivion in U.S. theatres. ... It all eventually becomes so ridiculous and over-the-top violent that there is nobody, nobody, to root for."Internationally, the film was received negatively, receiving a 14% rating on Rotten Tomatoes.