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ember 2003. A camera system called the Spydercam was used to allow filmmakers to express more of Spider-Man's world view, at times dropping fifty stories and with shot lengths of just over 2,400 feet (730 m) in New York or 3,200 feet (980 m) in Los Angeles. For some shots the camera would shoot at six frames per second for a faster playback increasing the sense of speed. Shots using the Spydercam were pre-planned in digital versions of cities, and the camera's movement was controlled with motion control, making it highly cost-effective. The camera system was only used in the previous film for the final shot. Visual effects Although roughly the same as before, costume designer James Acheson made numerous subtle changes to Spider-Man's costume. Its colors were made richer and bolder, its spider emblem was given more elegant lines and enlarged, its eye-lenses were somewhat smaller, and its muscle suit underneath was made into pieces
, to give a better sense of movement. Also, the helmet Maguire wore under his mask was also improved, with better movement for the false jaw and magnetic eyepieces, which were easier to remove. To create Doctor Octopus' mechanical tentacles, Edge FX was hired to create a corset, a metal and rubber girdle, a rubber spine and four foam rubber tentacles which were 8 feet (2.4 m) long and altogether weighed 100 pounds (45 kg). The claws of each tentacle, which were called "death flowers", were controlled by one puppeteer sitting on a chair. Each tentacle was controlled by four people, who rehearsed every scene with Molina so that they could give a natural sense of movement as if the tentacles were moving due to Octavius' muscle movement. On set, Molina referred to his tentacles as "Larry", "Harry", "Moe" and "Flo", with "Flo" being the top-right tentacle as it was operated by a female grip and performed delicate operati
ons like removing his glasses and lighting his cigar. Edge FX was only hired to do scenes where Octavius carries his tentacles. CGI was used for when the tentacles carry Octavius: a 20 ft (6.1 m) high rig held Molina to glide through his surroundings, with CG tentacles added in post-production. The CGI versions were scanned straight from the real ones to allow them to appear more realistic. However, using the real versions was always preferred to save money, and each scene was always filmed first with Edge FX's creations to see if CGI was truly necessary. In some shots where CGI is used, Molina is replaced by a virtual actor possessing the CGI tentacles. Due to the film's increa