Ticket #5004 (new)

Opened 2 months ago

Helps bladder control, colon, and your sex life

Reported by: "Pee Leaks" <PeeLeaks@…> Owned by:
Priority: normal Milestone: 2.11
Component: none Version: 3.8.0
Severity: medium Keywords:
Cc: Language:
Patch status: Platform:

Description

Helps bladder control, colon, and your sex life

http://planhut.us/OCBcapPhHuBwD9cjOAsyhuKQjdne5LXBneBGnrj7quT9h3R0Lg

http://planhut.us/wIf8Agh01Mr2dwQdWbxMLU95bmRRsGNpRIXwo8euf-uMU3VEsg

seed oil tends to dry yellow and can change the hue of the color.

Recent advances in chemistry have produced modern water miscible oil paints that can be used and cleaned up with water. Small alterations in the molecular structure of the oil creates this water miscible property.

Supports for oil painting
A square canvas rests on top of another with its back showing a thick frame of wood.
Splined canvas
The earliest oil paintings were almost all panel paintings on wood, which had been seasoned and prepared in a complicated and rather expensive process with the panel constructed from several pieces of wood, although such a support has a tendency to warp. Panels continued to be used well into the 17th century, including by Rubens, who painted several large works on wood. The artists of the Italian regions moved towards canvas in the early 16th century, led partly by a wish to paint larger images, which would have been too heavy as panels. Canvas for sails was made in Venice and so easily available and cheaper than wood.

Smaller paintings, with very fine detail, were easier to paint on a very firm surface, and wood panels or copper plates, often reused from printmaking, were often chosen for small cabinet paintings even in the 19th century. Portrait miniatures normally used very firm supports, including ivory, or stiff paper card.

Traditional artists' canvas is made from linen, but less expensive cotton fabric has been used. The artist first prepares a wooden frame called a "stretcher" or "strainer". The difference between the two names is that stretchers are slightly adjustable, while strainers are rigid and lack adjustable corner notches. The canvas is then pulled across the wooden frame and tacked or stapled tightly to the back edge. Then the artist applies a "size" to isolate the canvas from the acidic qualities of the paint. Traditionally, the canvas was coated with a layer of animal glue (modern painters will use rabbit skin glue) as the size and primed with lead white paint, sometimes with added chalk. Panels were prepared with a gesso, a mixture of glue and chalk.

Modern acrylic "gesso" is made of titanium dioxide with an acrylic binder. It is frequently used on canvas, whereas real gesso is not suitable for canvas. The artist might apply several layers of gesso, sanding each smooth after it has dried. Acrylic gesso is very difficult to sand. One manufacturer makes a "sandable" acrylic gesso, but it is intended for panels only and not canvas. It is possible to make the gesso a particular color, but most store-bought gesso is white. The gesso layer, depen

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