HTTP/1.1 -1 Read error in cache disk data: SuccessContent-Type: text/tab-separated-values; charset="utf-8" Last-Modified: Sat, 22 Jan 2022 05:07:55 GMT Content-length: 3125 Connection: Close Proxy-Connection: Close X-Cache: HIT from web1.osuosl.org Server: ProxyTrack 0.5 (HTTrack 3.49.2) id summary reporter owner description type status priority milestone component version severity resolution keywords cc lang patch platform 5509 1 morning drink RESETS high blood sugar? """Miraculous Solution"" " "{{{ 1 morning drink RESETS high blood sugar? http://ketopluss.co/d5Lxh2oBmQZA2Ky6owQTkehntauSGqWilOpUyGyFYp0otWnQNw http://ketopluss.co/uWmsbjELe4hc6XfwqWZB5Zv3qQYJ12IWwyaZDcWY_ArfcrWbOA fore settling on the look used in the film, the original headgear created for the Green Goblin was an animatronic mask created by Amalgamated Dynamics. One concept costume designer James Acheson became fond of was the idea of having a red emblem over a black costume. Another, which would eventually lead to the final product, featured an enlarged logo on the chest and red stripes going down the sides of the legs. To create Spider-Man's costume, Maguire was fitted for the skintight suit, being covered with layers of substance to create the suit's shape. It was designed as a single piece, including the mask. A hard shell was worn underneath the mask to make the shape of the head look better and to keep the mask tight while keeping the wearer comfortable. For scenes where he would take his mask off, there was an alternate suit where the mask was a separate piece. The webbing, which accented the costume, was cut by computer. The mask eye lenses were designed to have a mirror look. Visual effects Visual effects supervisor John Dykstra was hired to produce the film's visual effects in May 2000. He convinced Raimi to make many of the stunts computer-generated, as they would have been physically impossible. Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production. Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, ""ballet in the sky."" The complexity of such sequences meant the budget rose from an initially planned $70 million to around $100 million. Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen. Shooting them together would have resulted in one character being erased from a shot. Dykstra said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization. Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of Spider-Man as being, ""the transition that occurs between him being a young man going through puberty and being a superhero."" Dykstra said his crew of animators had never reached such a level of sophistication to give subtle hints of still making Spider-Man feel like a human being. When two studio executives were shown shots of the com }}} [attachment:""untitled-part.html""] " new normal 2.11 none 3.8.0 medium