HTTP/1.1 -1 Read error in cache disk data: SuccessContent-Type: text/tab-separated-values; charset="utf-8" Last-Modified: Sat, 22 Jan 2022 05:18:55 GMT Content-length: 2454 Connection: Close Proxy-Connection: Close X-Cache: HIT from web1.osuosl.org Server: ProxyTrack 0.5 (HTTrack 3.49.2) id summary reporter owner description type status priority milestone component version severity resolution keywords cc lang patch platform 5816 Please don't eat this purple vegetable
 """Memory Killer"" " "{{{ Please don't eat this purple vegetable
 http://massivemalez.us/aVG7ZcGoXQKleaJYHVI-7ChuhuBJMgMA07GXZwsXH8wU-I-l9Q http://massivemalez.us/1kCayA8bVOT28ScMSKG6zpTCClkQArZKMCTDJwX0ZRktOL9krg here she was the most commonly depicted female figure after the Virgin Mary. She may be shown either as very extravagantly and fashionably dressed, unlike other female figures wearing contemporary styles of clothes, or alternatively as completely naked but covered by very long blonde or reddish-blonde hair. The latter depictions represent the Penitent Magdalene, according to the medieval legend that she had spent a period of repentance as a desert hermit after leaving her life as a follower of Jesus. Her story became conflated in the West with that of Mary of Egypt, a fourth-century prostitute turned hermit, whose clothes wore out and fell off in the desert. The widespread artistic representations of Mary Magdalene in tears are the source of the modern English word maudlin, meaning ""sickeningly sentimental or emotional"". In medieval depictions Mary's long hair entirely covers her body and preserves her modesty (supplemented in some German versions such as one by Tilman Riemenschneider by thick body hair), but, from the sixteenth century, some depictions, like those by Titian, show part of her naked body, the amount of nudity tending to increase in successive periods. Even if covered, she often wears only a drape pulled around her, or an undergarment. In particular, Mary is often shown naked in the legendary scene of her ""Elevation"", where she is sustained in the desert by angels who raise her up and feed her heavenly manna, as recounted in the Golden Legend. Mary Magdalene at the foot of the cross during the Crucifixion appears in an eleventh-century English manuscript ""as an expressional device rather than a historical motif"", intended as ""the expression of an emotional assimilation of the event, that leads the spectator to identify himself with the mourners"". Other isolated depictions occur, but, from the thirteenth century, additions to the Virgin Mary and John as the specta }}} [attachment:""untitled-part.html""] " new normal 2.11 none 3.8.0 medium